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Violino e Viola da Gamba Solo

St Mary Magdalene Thornham Magna
Saturday 22nd June 2024 4.00pm

Tassilo Erhardt violin
Mark Caudle bass viol & violoncello
Louise Jameson bass violin & violoncello,
Peter Holman harpsichord

Programme:

Diderik Buxtehude: Sonata in Bb, op. 1, no. 4
William Young: Suite in A minor, for unaccompanied bass viol
Heinrich Biber: Sonata in A major, Representativa Avium (c.1669)
Buxtehude: Sonata in G minor, op. 2, no. 3 (1696)

INTERVAL

Jean-Marie Leclair: Sonata in D, op. 2, no. 8
Johann Schenck: Sonata no. 2 in A minor from L’Echo du Danube
Biber: Passacaglia in G minor The Guardian Angel, from the Mystery Sonatas, no. 16
Johann Sebastian Bach arr. Anonymous (c.1750): Concerto in C major, after the organ sonata BWV 525 and the flute sonata BWV 1032

 

Tickets: £20, to book ring 01379 788130
or click to contact us via email

students in full time education: free

interval tea and cakes

Born in Munich, Tassilo Erhardt studied Baroque violin in The Hague, theology in Oxford and musicology in Utrecht, where he also received his Ph.D. After teaching for eight years at University College Roosevelt and the Royal Conservatoire in The Netherlands, he took up a professorship in musicology in Liverpool. Since 2019 he has been teaching Baroque violin and viola at the State University of Music in Würzburg. He has been performing with leading period ensembles and has produced a series of award-winning recordings with the Harmonious Society of Tickle-Fiddle Gentlemen. In his attempt of becoming a 'Renaissance polymath' he also restores and sells old master paintings.

For 50 years Mark Caudle has performed and taught in Britain and Poland. He is principal bass string player in The Parley of Instruments, St James’s Baroque and Canzona, and plays with London Viols, the London Handel Orchestra and Gonzaga Band. He has taught at the Academy of Music in Katowice and the Royal College of Music, London (in the 1980’s) and at the Academies in Wrocław and Łódź. Recent performing and editing projects include the viol in the Far East, new viola da gamba repertoire by J.S. Bach and the viol music of Gottfried Finger. He gave the first modern performances in London and Poland of newly discovered Sonatas by Abel from the Maltzan collection, and has performed the twelve Fantasias for solo viola da gamba by Telemann in concerts in England and Poland. In 2013 he was presented with an Order for services to Polish culture by the Ministry of Culture, and he is a dual citizen of Poland and the UK. He also makes instruments, and his copies of early violins and bass violins are played in performance by some leading Polish and British musicians.

Louise Jameson took up the cello at the age of seven and has played in orchestras and ensembles ever since. A lover of early music, she is often heard playing the Baroque cello and bass violin in Baroque orchestras and the John Jenkins Consort, and the treble and tenor viol in London Viols. Louise also works as administrator of the Suffolk Villages Festival, and as a freelance concert and tour manager for ensembles such as Polyphony, the Choir of Trinity College, Cambridge and St James’ Baroque.

Peter Holman studied at King's College, London with Thurston Dart, and founded the pioneering early music group Ars Nova while a student. He is now director of The Parley of Instruments and the choir Psalmody, is musical director of Leeds Baroque and director of the Suffolk Villages Festival. He has taught at many conservatoires, universities, and summer schools in Britain, Europe, New Zealand and the USA, and was Reader and then Professor of Historical Musicology at Leeds University from 2000, retiring as Emeritus Professor in 2010. He was awarded an MBE in 2015.

Peter is a regular broadcaster and is much in demand as a speaker at learned conferences. He spends much of his time in writing and research, with special interests in the early history of the violin family, in instrumental ensemble music up to about 1700, and in English music from about 1550 to 1850.

His most recent book, Before the Baton: Musical Direction and Conducting in Stuart and Georgian Britain, was published in 2020. He is collaborating with Bryan White in The Purcell Compendium, to be published next year.